Posted By lisahuntart on June 21, 2010

Kyra playing the piano.
When is the last time you heard a song that transported you back to a book you were reading, or a romance you were experiencing or a painting that you were working on? For me, music awakens the senses in ways that deliver immediate imagery. I have always drawn and painted to music. I can almost document my art and projects using my CDs as reference points. For example, I remember painting early college works to the music of the Moody Blues– brush strokes flowing with Justin Hayward’s smooth vocals. I can remember sketching dancing goddesses to Celtic music in between the pop sounds of Liz Phair, Sheryl Crow, Sarah McLachlan etc.. And like many artists who love sci-fi and fantasy, I had my “Holst: The Planets” period… and who didn’t gorge on Enya for a while?

Asparas & Gandharvas
Music has accompanied me through many projects along the way. Every time I hear Debussy I think back on the glorious time I had painting my Celestial Goddesses book—the music from the man who was tied to 19th century impressionism coincided nicely with the flowing images that comprised that particular body of work. Mozart’s Concertos accompanied me through a challenging Master of Arts program—yes, I did listen to Chopin, Ravel and Mozart during grad studies and The Animals Divine Tarot. I give those great composers credit for making my brain work overtime! I don’t know if Mozart makes a person smarter, but it certainly made me more efficient.
I have to admit that Rock & Roll, the Blues, Soul, and Folk were always interspersed between my rendezvous with classical. I love a good guitar lick as much as the next gal and I even had a soundtrack phase while working in production. But lately I’m back to standard classical. For me, working on ghosts has coincided with my deep reverence for music that has stood the test of time and carried me through different chapters of my life. Right now, my Pandora.com (online music) selections include Scriabin, Faure, Chopin, Mendelssohn, Grieg, Rachmaninov, Tchaikovsky and more. The romantic period (1825-1900) is particularly emotional and moody with elements of the supernatural revealing itself between measures. This period is packed with magical renderings of art and music alike. And such a raw exposition of the human condition is sure to inspire intrepid artists like myself. I can feel the ghosts and spirits transferring themselves from music to paintbrush.
Many of the paintings I’ve worked on for Ghosts & Spirits include themes that are tied to music in one form or another including the ballet “Giselle”, Undine, woodland spirits, the Undead, journeys to the underworld and what about Wagner’s The Flying Dutchman? It wasn’t hard to come up with ideas for this project–the spirits have been with me all along through their participation in music!

The Undine

Giselle

Rübezahl
And the more I listen to the great composers the more I think about art. To me, art and music are close cousins. This has certainly been reinforced to me through my friendship with my daughter’s music teacher, Sivabruntha (she plays a mean rendition of La Danse Macabre!). Over the last year, we’ve talked about our respective art forms, and have both discovered that the two disciplines are more aligned than one might initially think. Art and Music both entail practice, discipline, and soulful expression. It’s not enough just to be a good technician, one must invest soul in the delivery in order to make it come alive in a unique way. So much about music has been inspired by literature and art and so much of literature and art has been inspired by music.

Arnold Böcklin's Isle of the Dead
One feeds the other.. Just think of Böcklin’s painting Isle of the Dead, which subsequently inspired Rachmaninov’s masterpiece circa 1908 of the same title. Not only do the music lessons nurture my daughter (who takes back to back violin/piano), they have awakened my own passion for studying and playing music again.
And though I regret tossing sonatinas aside in a fit of adolescent rock & roll rebellion– I never forgot about them, nor did I ever really stop playing or learning. So as I move towards the final creative stages of Ghosts & Spirits Tarot, I’m beginning my piano journey anew, almost 30 years later! It is now my goal to try and practice an hour or two a day (usually at night after all else is done–it’s my dessert hour!). How am I benefiting from this addition to an already hectic schedule? I’m feeling more connected with my internal visual insights–it’s like setting the stage for the next day’s creative outpouring and it’s certainly calming and satisfying to the soul. It is also opening the channels for further ghost and spirits exploration. When I’m playing music, I can feel these ethereal beings dancing through my mind!

Chopin is watching!
First pieces on the learning block: Chopin Nocturne op 9 no 2 (okay, I’ve been playing this one on and off for years, but it’s time to polish it to perfection), and Massenet’s Meditation from Thais for solo piano (thank you for suggesting this one, Sivabruntha!), one of my favorites. I hope to finish up Ghosts & Spirits and master those piano pieces by the end of summer–one discipline feeding another, right? And in the process, I’m forging wonderful musical memories from a particularly enlightening period of my life.
Do you think I can do it? Stay tuned.
To see a short video on Facebook of Kyra playing at her recital, CLICK HERE.
~Lisa
Category: Family, Life Lessons |
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Tags: art, artwork, ghosts, Ghosts & Spirits Tarot, giselle, inspiration, music, piano, romantic period, rübezahl, spirit, Undine