Finished drawing of Hawk-Shapeshifter - graphite on watercolor paper.

Vancouver-based author and bird expert, Lesley Morrison: "Learning to respond to your inner visions in the physical world is likewise something you will develop as you grow in hawk/falcon vision, as well as your ability to trust in that which you see."

Hawk-Shapeshifter is another piece that evolved rather spontaneously on the page. I began by drawing the head, using my friend Lesley Morrison as inspiration. Lesley expressed interest in being portrayed as hawk and the more I progressed through the drawing, the more I can see why it’s a good match for this bright, young woman. As I drew (in radiating motions from the face outward), it became apparent that this piece would encompass vistas and layers of landscapes—internal and external. I wanted to capture a sense of adventure, hope, creative thinking and optimism by merging feather, flight and inspiring glimpses through a daydreaming lens. To me, these are fundamental components for writers, artists, musicians and anyone who chooses a creative path.

“Hawk is considered a visionary in many cultural traditions, and is often a totem of those who have bold and original ideas. Those with a hawk totem have sharp minds and keen intellects, and are able to detect the slightest movement of energy around them. Many hawk totem people have acute psychic abilities, and have mastered their inner vision by trusting what they see. Part of the visionary power of the hawk totem is using its power to help the world in some creative way”~Lesley Morrison from her book: The Healing Wisdom of Birds: An Everyday Guide to Their Spiritual Songs & Symbolism (I highly recommend this book!).

Are you a hawk totem person? Are you helping the world in some creative way? Are you learning to let go and trust what you see?

In other Hunt-Kramerville news.

We have given our house a name! For those of you who have ever visited my home or who have glimpsed pictures of “cozy corners”, our home is our fairy tale sanctuary.

Here we believe that creativity is essential for an inspiring life.

We all love toys including Timmy. We encourage imaginative play and enjoy watching kids and cat engage their storytelling senses.

Art follows all of us everywhere, even out on the driveway.

Who need video games and expensive gadgets when you can just give 'em chalk!

Here's Connor drawing one of his amorphous characters.

Some of the kids' chalk drawings

Meanwhile, us parents sit on the sidelines and watch the chalk show!

And what does Connor do to relax and recharge his batteries? Well, draw of course. I truly believe my preteen processes his anxieties through this creative outlet. Anyone who knows Connor says he’s a “great kid” though some might think otherwise if they judged him by his “scary” drawings!

This is Connor's latest artistic direction. He calls this one "Combobulator".

And here’s Kyra with her latest school project. She was required to choose a famous woman in History and decorate a can in the woman’s likeness. Kyra went “overboard” and created an entire scene including a panoramic landscape painting inspired by the art and writings of Beatrix Potter. Kyra had read the entire Beatrix Potter “Little Books” collection in addition to her requisite biographical research.

Kyra's love for Beatrix Potter shined through her creative efforts.

Art is life! Treat everything you do as if it’s a new adventure.

~ Lisa

Watercolor painting-in-progress: Robin-Shapeshifter

No, none of us were instant rock stars. Our success is an ongoing journey where evidence of our wayfaring hopefully runs deep into the roots of lasting impressions. The successful people I most admire are those that keep on trekking without looking over their shoulder; those who elevate others in the process and who see “competition” as inspiration rather than a source of contention or an aberration. I’ve always thought and said, (especially while I was a teacher) “Be who YOU are and don’t worry about what you think you have to be!”. Make your own mark and people will notice by default.

Lisa in the early 1990's

Lauren Mills, award winning author/illustrator of children’s books, sculptor, painter, and instructor

Jeffrey Zurawin, A.P., D.O.M, Acupuncture Physician and Doctor of Oriental Medicine, Owner, Lifegate Acupuncture

Tara Larsen Chang, Children’s book illustrator,  Event Organizer for TLC Workshops/Professional Art Series

Gary Lippincott, Gary A. Lippincott, Artist & Illustrator specializing in fantasy and historical Illustration and children’s books

Joanna Powell Colbert, Artist ~ Writer ~ Teacher

"Stroll into a Fairy Tale" by Kort Kramer

Sell sheet for Ghosts and Spirits Tarot. To be published in April 2012

Connor created a cool 3-D Animal Cell Project for Science class. It was a good review for us rusty-brained parents too. I almost forgot what Mitochondria was! Thanks Connor.

Kyra did a timeline report on one of her favorite Jazz singers, Billie Holiday. I highly recommend you search "Fine and Mellow" on YouTube to get a taste of live Cool Blues/Jazz of the 1950s at its finest.

She was also chosen "Super Star Student" and was allowed to take home the class mascot "Coconut" home for the weekend. Part of her selection required that she/we create a poster of her achievements and snapshots from her life and family. Coconut approved.

~ Lisa

With all these thoughts of what success means percolating in my mind–especially during an era of uncertainty–I asked esteemed colleagues how they define it. The array of insightful responses delighted me. I was immediately struck by a collective motif of self-awareness: success is not necessarily a tangible measurement of material gains but rather, it is a state of mind. When most people hear the word “success”, they (at first anyway) may think fame and fortune; an alliteration fixed in the psyche. But monetary reward is not the defining element in these interesting reveries. Read on and judge for yourself. I hope that you derive much inspiration from these fabulous contributors who have created their own unique paths to success!

I've had this quote by the late actress Betty Davis hanging in my studio for years

Kris Waldherr, Author, Illustrator, and Designer

I define career success as the ability to make a good living creating publications which have meaning and integrity to me. The other part of my equation for success is that every project I take on should help me grow as an artist and as a human. I need to feel that I’m never stagnating with my work—that I’m constantly learning and evolving. And I think I have: my first job in publishing was as a children’s book illustrator and designer. (It shocks me to realize that this was over two decades ago.) Since then, I’ve expanded into writing and packaging gift books, creating iPhone apps, tarot decks, and so much more. And now my work has evolved into writing historical fiction, a whole new world. All of this progression feels organic, though if I’d known where I’d end up when I’d started out as a twenty year old, I’d be pretty surprised.

Lynn Araujo, PhD Director of Communications U.S. Games Systems, Inc.

Early in my publishing career success meant setting and reaching goals. Success was measured by specific achievements, or the final product of my work. Now, it’s more about the way I work, and the integrity of the
process. I feel successful knowing that the energy I put into my creative projects comes back multi-fold as part of something bigger.

Barbara Moore, Author/Tarotist/Blogger, Acquisitions Llewellyn Publications

To me, it is imperative that everyone define it for themselves. And the definition, I bet, changes for people over time. I am successful because:

• I do what I love (mostly)

• I get to be creative in work and “work-related” things

• I feel like my peers know who I am and what I’ve done.

• I feel very recognized and valued by my peers.

• I love having some control over my earnings because I feel financial independence is empowering.

Brenda Parker, ATCL (Piano)/ LTCL(Piano)/ LTCL(Violin), Pianist/Educator

Success is a reward of overwhelming happiness you feel in your emotions after achieving your heart`s deepest desire. Like me or my students accomplishing playing a difficult piece of music fluently after studying it and practicing it a lot. I also feel successful when I feel like I have helped someone or an animal have a better life or managed to advise someone and help them overcome a difficult time in their life. Success the best way for me would be in a win win situation that has everyone involved happy. Success comes in many ways and many times in different forms.

Rebecca Zins, Senior Editor Llewellyn Publications

I think it’s a balance of internal knowing you done good and external reinforcement of that via others patting you on the head. Both have to be in place in order to truly feel successful.

Kort Kramer, Art Director PDI-SAT / Freelance Photographer

I think some form of recognition is a key component to “success”, but you have to feel happy with what you’ve accomplished otherwise it rings hollow. External validation is wonderful and monetary reward is always a plus, but what you think of yourself is the only true way to lasting happiness. If you feel you’ve done something and done it well, then you can move on to the next goal with a clear mind and not need further reinforcement. Fame is ephemeral, but true success is your lasting mark upon this world, whether it comes from creating masterpieces of art to raising your children to be good people.

Mickie Mueller, Owner The Mickie Mueller Collection, Author / Artist

Doing what you love and being happy while being able to pay the bills and have a little left over for some fun.  Just getting out there and taking a chance on yourself makes you a success. Taking that big leap of faith is something that everyone who ever found success had to do, they might have been scared to do it, but they just did it anyway. You have to dream it first, and then of course you have to do it, believe it and make it happen!

Thank you everyone who generously took time to contribute to this post.  More to come so stay tuned!

————

In Hunt-Kramerville news:
Valentine’s Day Fun

Kyra's homemade Valentines for school

Purple tulips, 'champagne', chocolate and a fairy tale book. What more could a woman want?

~ Lisa

The finished Heron-Shapeshifter watercolor painting

One of the most common questions I get as a professional watercolorist is: “How long does it take you to paint a picture?”. That’s a fair question though not an easy one to answer. It depends on a variety of factors including: subject matter, the amount of detail, how a painting flows along and even the level of distraction one may have to reconcile when one is working in one’s home. Distractions like kids and kitties.

Timmy, Kyra and Elsa giving me a dose of cuteness

I can say this for sure: I’m a much more efficient and confident painter now than I was 20 years ago. I’m also less fearful of taking risks and following my heart, something that has helped me avoid creative disasters and technical difficulties. The heart and soul direct the painting, not the hand, not my education and certainly not what I think people may want to see. This total liberation of one’s creativity makes for efficient, and mostly satisfying days in the studio.

One can see the difference if one compares images from my first tarot project created back in the mid-nineties to the works I’ve done in recent years. Don’t get me wrong, I’m still proud of what I had accomplished with Shapeshifter Tarot. But it was painted using a younger, more timid brain. Like the soft hues of “The Dreamer” in the painting below, my  artistic voice was still a quiet whisper that needed to develop its vibrato.

My first big project: Shapeshifter Tarot 1995-97.

During those early years, I drew and painted with painstaking care. I was slow and inexperienced and sometimes let deadline anxieties get the better of me. My fear of making mistakes made for long hours in the studio. Thank goodness I was young at the time and could get by with little sleep.

Lisa in the 1990s with a Shapeshifter portrait of 60s music icon Donovan

Fast forward to 2011:

Many paintings and publications later…

The once insecure girl is now a bold woman in her mid-forties who takes on each painting with gusto and know-how. That doesn’t mean I don’t make mistakes, but now I know how to work with those mistakes to great effect. With my current project, the paintings are large, alive and symphonious. The frigidiy is gone, the paint strokes deliberate and the time clock is non-existant (yes, there is a deadline, but I no longer fret about it). If I would have to guess, each bird-shapeshifter is taking me about a month and the process is pure, uninhibited enjoyment. That is a luxury that I feel I’ve earned and one I’m thoroughly enjoying.

Initial watercolor washes

Halfway through

Final details and dry brushing

And thanks to modern technology, I can scan my painting between paint sessions and share them with you…when not being distracted.

More distractions. This is for the birds. (Photo: Kort Kramer 2011)

~ Lisa

The Specter Bridegroom from Ghosts & Spirits Tarot

I love the piano. To me, the keys are allegorical. They are emotive, mysterious, scary and can be a girl’s best friend. They can feel hard and cold, slippery and wet, warm and soft–all depending on what is being played and how it’s being played. I’ve cried tears on the keys and have stroked them with affection. They help bring mind, soul and hands to a place where musical narratives can flow with their cleansing tendencies. In German, this is called “Seele waschen” or soul washing. It’s the seele waschen that has kept me from completely abandoning my relationship with the piano. Even when I wasn’t playing it (sometimes years between), I would listen to its soft whispers in my mind. Piano has always been there with me, through everything I’ve done in life.

I was fortunate enough to have classical training as a child with a music professor whose own son started at the same time and went on to Juilliard and beyond. He was committed. I was the rebel. He had the discipline. I had preoccupations. He went on to be a great pianist. I rejected the instrument by 14 thinking how clever I was to do so. I turned my back on the piano–I had “piano hands”, “a good ear”, an aptitude at the start, but I wanted to be emancipated from the practicing regimen and lost sight of the piano’s purpose in my life.

This is only a half truth. What really happened? In the eight grade, I auditioned for a talent show doing keyboards with my friends Mike and Maura on vocals. The performance was a disaster and I swore to myself that I would never play in front of people again.

and I didn’t.

Until now, 30 years later.

I had dabbled on piano over the years, but it was largely ignored until my own daughter started playing with an intensity that brought me back to an innocent time of being the enthusiastic student who wanted to learn how to play. Those feelings, the yearning to learn, grow and feel something awesome as one plays flooded me with an unexpected reawakening. I knew what I had to do.

I restarted piano lessons and fell madly in love with the learning process. I was now the fool with her piano and it felt wonderful to be reunited with my old friend.

Here I am practicing at home. The glasses are just for fun:

Just four months after my first lesson, I was performing in front of a roomful of mostly strangers. My playing was not great as the piano had a few more lessons to teach me: humility and respect. Just because I thought I knew my pieces and thought I played good enough doesn’t mean the piano keys were going to completely cooperate when it had to. My brain took momentary vacations between measures and my fingers decided to engage in interludes of abstraction. At one point, I went completely blank–forgetting everything I knew about piano. Has that ever happened to you? The dreaded disconnect between mind and hands did happen while I was playing in front of a room full of curious people, but somehow my soul held it together. I kept going on and didn’t give up. I showed the piano that I had fortitude and that I wasn’t going to cower to self perceived failure. I was determined to finish what I started no matter what.

Here I am performing at my first recital ever, mistakes and all:

I finished to loud applause and got a big hug from my teacher. I think the fact that I made it through was enough to generate support from the kind strangers who bore witness to my tenacity.  I had the courage to face the piano as a new, old student without losing myself along the way. One woman even came up to me and told me how great she thought I was and she herself had thought about playing again. Can it be that maybe just maybe I had inspired her? If that is true, then it was SO worth going up there as the fool and her intrepid piano playing. I’d like to think that I’ve inspired my daughter as well. Hopefully she will get past the age 14-hump 8 years from now and realize that sticking to it is the clever thing to do.

My brilliant teacher told me that stage fright is like a naughty phantom. When it happens, it’s an invaluable experience. “It is like an initiation ceremony for the stage”. She is already talking about the next time I go through it as if the “naughty stage fright phantom” is a permanent fixture on the stage, so to speak. Instead of pretending it’s not there, one must be prepared to deal with it!

With that said, I’m sticking to it with no intentions of ever straying from my musical path again. Fortunately, I found a kindred spirit in my amazing teacher and friend Sivabruntha, who has been undyingly supportive and encouraging of me. I will blog along the way, through tangled wood and smooth riding pathways. Music is art and art is music. I don’t do art and music perfectly, but I have the passion to do it and that is what is really important. As my friend Patrick Valenza recently told me: “It’s the process, not the outcome”. Well said, my friend.

Innocence (The Fool), Growth, Strength, and The Star. Artwork from The Fairy Tale Tarot, Shapeshifter Tarot & Celtic Dragon Tarot

Have any of you experienced stage fright? I would love to hear your stories.

~Lisa

Finished watercolor painting of Jacob Marley

It’s hard to believe that a month has gone by since my last post. But given the hectic pace that was December, I’m not surprised that some things were woefully neglected along the way including my blog. Yes, I did do a lot of art and yes, I did manage to finish a dozen soul drawings and send them out to their intended recipients in a timely manner and yes, my kids are doing great.  But no, I did not get enough sleep and no, I did not make the time to indulge in other soulful pursuits like playing the piano, reading some new books that have been sitting by my nightstand, writing letters and e-mails to loved ones and friends or getting my house to be the enchanted fairy tale abode that I envision it to be. Thus, I knew 2011 would need to be planned and constructed from a more centered place in my being. It is possible to do it all, but only if I simplify and maintain a good balance between myriad priorities and interests. If I can’t plant a grand garden, I’ll nurture a smaller one, so to speak.

Antique Fairy Tale book cabinet

Here’s an example of what I’ve been doing to start appealing to this resolution. I spent New Year’s refurbishing an antique desk/cabinet that I’ve allowed to stand neglected for years. After the final polish, I filled it with some of my treasured, antique fairy tale books (my daughter added her modern touch here and there).

Kyra adding her fairy touch

But instead of stuffing every nook and cranny, I strived for a harmonious, aesthetic display that honored each volume as it should be. To me, this is symbolic of how I see my life and studio in the near future. Instead of jam-packing my day with sundry tasks, I hope to fill my day with balanced, modified efforts that render me feeling accomplished rather than depleted. My fairy tale cabinet is there to remind me to honor the moment and remember the nuances of the story along the way, rather than trying to process and digest all the chapters at once.

Here I am finishing the last painting of 2010.  Painting the encumbered Jacob Marley was an excellent way for me to purge end-of-year stresses. I now feel ready to take on the new year! I hope you are too.

Happy New Year friends!

~Lisa

final drawing- Jacob Marley from the Christmas Carol

When working, I usually have 3 to 4 drawings and paintings on boards at various stages. Some sit there for a month while others I tackle right away. It all depends on the mood I’m in and what I feel compelled to focus on. As I near the end of this project (about 10 paintings left), I’m working on those pieces that I’ve either:

1. Been hesitant to work on.

2. Am intimidated about working on.

3.  Had to wait for visual idea to come to complete fruition before working on.

For the most part, #3 would be the most apt description.

combining ideas from the first 2 sketches helped to solidify the final drawing

Some things just take time. In the case of Kobold and Jacob Marley, I felt conflicted about what to draw–what scene, scale, detail considerations etc..I left the sketches taped on my wall until inspiration whacked me over the head. That is often how it happens. This is one of the benefits of multitudinous painting. I feel if I am over-belaboring the sketch/drawing, then I need to step back for a while and let it happen when it’s ready. As an artist, I feel this is an effective way of transposing thoughts/ideas into something that feels right. The connection between heart, mind and soul must flow through the veins before I dare let the functions of the hand respond.

sketches to final drawing

Painting in progress (this one has been on the board a while)

Meanwhile, when not painting, writing and sundry studio tasks, I’m first and foremost a mom.

Last week, Kyra lost her first tooth! We heard the tooth fairy fluttering her wings outside as Kyra’s tooth slowly let go of those final tethers to babyhood. The tooth fairy left her $5 dollars.  This, of course, is a milestone along one’s life journey.

Kyra's new toothless smile!

~ Lisa

Here I am with a foolish young heart (and thin figure!). This is 1995 while working on my first tarot deck: the Shapeshifter Tarot

This is the painting that determined my artistic path. The Sorceress was the sample I painted before landing my first tarot contract with Llewellyn Publications.

Here's a Shapeshifter portrait I did for 60's rock icon, Donovan. I flew to San Francisco and presented the framed painting to him in person at a 1997 Whole Life Expo (my apologies for the poor photo quality--I know I have more somewhere).

Here I am in 1998 at an Art Institute of Fort Lauderdale graduation. At the time I was working on Celtic Dragon Tarot, I was also earning a degree in Computer Animation (very new at the time). I face-mapped the Shapeshifter Tarot images on 3D runes and had them spin around in space. No one ever saw anything like that before and it earned me the top prize in my graduating class (and a subsequent job as a conceptual designer and later, college teacher).

Here's my studio. On the wall is a framed Celtic Dragon Tarot press sheet. As my biggest seller, it holds a place of honor in my workspace.

After Celtic Dragon Tarot, my book Celestial Goddesses was published. I met fabulous people along the way, including my dear friend Pam (professional singer/art educator extraordinaire). This was taken during the Spring of 2002.

I also met my future husband at the one and only Celestial Goddesses book signing. It was destiny!

During the past 15 years, I've nurtured an extraordinary friendship with the brilliant and soulful Kris Waldherr.

While I was earning my Masters Degree in Interdisplinary Studies, Animals Divine Tarot was published. It earned a COVR award the following year (2006).

After Animals Divine Tarot, there was Fantastical Creatures Tarot published by US Games. Here I am at a 2007 INATS East signing/reading. I was busy!

While working on tarot decks and books, I had kids! Here I am with my artistic son Connor in 2009.

Here's Kyra in the studio in (early 2009?). My kids love to draw too!

Here's a bookcover-in-progress I did last year.

I also had a 10 year stint as a Collectible Card Game artist, but after over 100 images I retired from the industry.

I also studied martial arts and earned my Black Belt in TKD as a means of getting healthy and feeling more balanced while in the studio. It's easy to neglect oneself when one is so consumed by one's artistic passions! (2008)

I loved writing this book!

Here's a framed press sheet of The Fairy Tale Tarot that hung at a local gallery in 2009.

Here I am at work in the studio. I use the TP for painting--just in case you were confused. (2010)

Here's what I'm working on now...

and here's what I'll be working on next.

It has been a wonderful journey so far. I can honestly say that I feel a deep sense of gratitude for my life. Yes, I did make things happen, but I also feel I’m a blessed person to be able to live my passion and know who I am. Who knows what will be? But for now, I’m perfectly content with the here and now. But sometimes it’s good to reflect back and take pause. I don’t take anything for granted!

~ Lisa

This drawing is for Rose Vanden Eynden, author extraordinaire

With that said, I must keep this short and sweet, my friends. Here are some images of the Ghosts & Spirits project in progress. And of course, I’ve included a few pictures created by my afternoon studio companions, Connor (9 years) & Kyra (5 years). Sorry, as amazing as Timmy-the-Cat is, he has yet to pick up a pencil. Instead, he has mastered the art of power napping.

"Black Dog" detail of pencil drawing in progress

Paintings in various stages of progress

Kyra loves to draw animals. There is so much joy in this piece!

New York in the future. Connor's drawings tend to have technical leanings.

And while we're working our tails off, whose been sleeping in Kyra's bed?

~ Lisa

ps. The Fantastical Creatures giveaway ends soon, see my previous blog entry for detail on how to enter!

Where I grew up (1971)

Lions, tigers and bears oh my! The mysterious forest is full of unknowns and teeming with mysterious life.  As a symbol of the unconscious, it is a place inhabited by wild things, often obscured by the shadows of tree branches and layered with the remnants of seasons gone by. When we walk into a forest, we step into a world full of adventure and trepidation. We leave the comfort of paths familiar and cross the threshold into a realm  full of challenges and unpredictability. Who knows what monsters lie in wait and who knows where the wayward path will lead. Myths and fairy tales often use the woods as a stage for the evolving protagonist. The character leaves the safety of home and wanders into the realm of the psyche, where growth is inevitable.

Drawing from the 80's

When I was in high school, I often sketched the forest using the wells of my imagination as reference. These forests were alive with spirits and elusive beings, there to provide me with messages. They dwelled  in a place that offered  temporary refuge from the province of a chaotic reality . I loved exploring the twisting tree limbs and fortifying roots that helped me to feel grounded in a world of teenage confusion.  I was wandering into the path of the unknown and these fantasy tree drawings helped me to manifest the deep-seated worries I was experiencing as I approached adulthood.

Pencil drawing done in my teenage years

My Mom as the Hermit (Fantastical Creatures Tarot)

Lisa as a teenager

Lisa in the snowy woods of northern New England, 1990s

Fairy tales often employ these settings as metaphors of the shadow. They are the wild, untamed symbols of our own inner landscapes, where creative thinking and intrinsic energies reside and beg to be released. It is here where we meet frog princes, wise old men, a golden goose, a ravenous wolf, imposing giants, spirit messengers and all manner of creatures that help us shed the constraints of a rational mind. It is here where we let go and become more self-aware. It is under the dappling light that we recognize our full potentials and find our way through the tangle of brush.  Through the darkness of paths unknown, we have the possibility of seeing the light.

Forest images from The Fairy Tale Tarot

Here is a neat “forest” video from friend and fellow artist Carisa Swenson:

The Forest

~ Lisa