Here I am with a foolish young heart (and thin figure!). This is 1995 while working on my first tarot deck: the Shapeshifter Tarot

This is the painting that determined my artistic path. The Sorceress was the sample I painted before landing my first tarot contract with Llewellyn Publications.

Here's a Shapeshifter portrait I did for 60's rock icon, Donovan. I flew to San Francisco and presented the framed painting to him in person at a 1997 Whole Life Expo (my apologies for the poor photo quality--I know I have more somewhere).

Here I am in 1998 at an Art Institute of Fort Lauderdale graduation. At the time I was working on Celtic Dragon Tarot, I was also earning a degree in Computer Animation (very new at the time). I face-mapped the Shapeshifter Tarot images on 3D runes and had them spin around in space. No one ever saw anything like that before and it earned me the top prize in my graduating class (and a subsequent job as a conceptual designer and later, college teacher).

Here's my studio. On the wall is a framed Celtic Dragon Tarot press sheet. As my biggest seller, it holds a place of honor in my workspace.

After Celtic Dragon Tarot, my book Celestial Goddesses was published. I met fabulous people along the way, including my dear friend Pam (professional singer/art educator extraordinaire). This was taken during the Spring of 2002.

I also met my future husband at the one and only Celestial Goddesses book signing. It was destiny!

During the past 15 years, I've nurtured an extraordinary friendship with the brilliant and soulful Kris Waldherr.

While I was earning my Masters Degree in Interdisplinary Studies, Animals Divine Tarot was published. It earned a COVR award the following year (2006).

After Animals Divine Tarot, there was Fantastical Creatures Tarot published by US Games. Here I am at a 2007 INATS East signing/reading. I was busy!

While working on tarot decks and books, I had kids! Here I am with my artistic son Connor in 2009.

Here's Kyra in the studio in (early 2009?). My kids love to draw too!

Here's a bookcover-in-progress I did last year.

I also had a 10 year stint as a Collectible Card Game artist, but after over 100 images I retired from the industry.

I also studied martial arts and earned my Black Belt in TKD as a means of getting healthy and feeling more balanced while in the studio. It's easy to neglect oneself when one is so consumed by one's artistic passions! (2008)

I loved writing this book!

Here's a framed press sheet of The Fairy Tale Tarot that hung at a local gallery in 2009.

Here I am at work in the studio. I use the TP for painting--just in case you were confused. (2010)

Here's what I'm working on now...

and here's what I'll be working on next.

It has been a wonderful journey so far. I can honestly say that I feel a deep sense of gratitude for my life. Yes, I did make things happen, but I also feel I’m a blessed person to be able to live my passion and know who I am. Who knows what will be? But for now, I’m perfectly content with the here and now. But sometimes it’s good to reflect back and take pause. I don’t take anything for granted!

~ Lisa

This drawing is for Rose Vanden Eynden, author extraordinaire

With that said, I must keep this short and sweet, my friends. Here are some images of the Ghosts & Spirits project in progress. And of course, I’ve included a few pictures created by my afternoon studio companions, Connor (9 years) & Kyra (5 years). Sorry, as amazing as Timmy-the-Cat is, he has yet to pick up a pencil. Instead, he has mastered the art of power napping.

"Black Dog" detail of pencil drawing in progress

Paintings in various stages of progress

Kyra loves to draw animals. There is so much joy in this piece!

New York in the future. Connor's drawings tend to have technical leanings.

And while we're working our tails off, whose been sleeping in Kyra's bed?

~ Lisa

ps. The Fantastical Creatures giveaway ends soon, see my previous blog entry for detail on how to enter!

Where I grew up (1971)

Lions, tigers and bears oh my! The mysterious forest is full of unknowns and teeming with mysterious life.  As a symbol of the unconscious, it is a place inhabited by wild things, often obscured by the shadows of tree branches and layered with the remnants of seasons gone by. When we walk into a forest, we step into a world full of adventure and trepidation. We leave the comfort of paths familiar and cross the threshold into a realm  full of challenges and unpredictability. Who knows what monsters lie in wait and who knows where the wayward path will lead. Myths and fairy tales often use the woods as a stage for the evolving protagonist. The character leaves the safety of home and wanders into the realm of the psyche, where growth is inevitable.

Drawing from the 80's

When I was in high school, I often sketched the forest using the wells of my imagination as reference. These forests were alive with spirits and elusive beings, there to provide me with messages. They dwelled  in a place that offered  temporary refuge from the province of a chaotic reality . I loved exploring the twisting tree limbs and fortifying roots that helped me to feel grounded in a world of teenage confusion.  I was wandering into the path of the unknown and these fantasy tree drawings helped me to manifest the deep-seated worries I was experiencing as I approached adulthood.

Pencil drawing done in my teenage years

My Mom as the Hermit (Fantastical Creatures Tarot)

Lisa as a teenager

Lisa in the snowy woods of northern New England, 1990s

Fairy tales often employ these settings as metaphors of the shadow. They are the wild, untamed symbols of our own inner landscapes, where creative thinking and intrinsic energies reside and beg to be released. It is here where we meet frog princes, wise old men, a golden goose, a ravenous wolf, imposing giants, spirit messengers and all manner of creatures that help us shed the constraints of a rational mind. It is here where we let go and become more self-aware. It is under the dappling light that we recognize our full potentials and find our way through the tangle of brush.  Through the darkness of paths unknown, we have the possibility of seeing the light.

Forest images from The Fairy Tale Tarot

Here is a neat “forest” video from friend and fellow artist Carisa Swenson:

The Forest

~ Lisa

I have grown accustomed to working alone in my studio (thus the name “Studio Hermit”), with only the company of NPR, music, and Timmy the cat aka “Studio Buddy” being the potential distractions to an otherwise intense environment. It never dawned on me to ask my 9 year-old artistically inclined son to join me in my sanctuary of creative outpourings.

After receiving a fateful call from Connor’s writing teacher, I began to see the light. Despite Connor’s history of scholastic underachievement, his writing teacher expressed interest in Connor’s creative aptitudes and offered him the chance to have his own writing corner in her classroom. In Connor’s own words, “My teacher told me that I have permission to draw on my narrative writing papers… I like making up my own stories!”. Having long since been designated a child with “attention issues”, this veteran teacher recognized that Connor thrives when given personal space. And from Connor’s point of view, he feels he’s finally being rewarded for being a storyteller—with most of his papers reflecting fantastical exploration, dark and light and human drama. Connor is not afraid to express himself as an artist/writer, and he actually impresses all those around him with his innate ability to retrieve dynamic visions from a world that only he understands. A place that has his full obeisance and where no “attention issues” persist.

I never dismissed or tried to suppress these inclinations (though I was worried about his tendency to either get As or Fs—depending on the day), but I never thought that art/writing may actually be his calling. I know, this warrants a big “duh” from my audience given his genetic predisposition, but having experienced firsthand the stigmas and challenges associated with being an artist, I was somewhat loathe to promote his gifts. I of all people should know that if you are born an artist and/or writer, you are an artist and/or writer—and there really is no stopping the impulse for creative expression.

I have to admit, Connor reminds me so much of myself in so many ways. No one could stop me either.

Ace of Wands: The Fairy Tale Tarot

So I asked him: “Would you like to move your desk into Mommy’s studio?”. Connor must have done double flips—it was as if he had been waiting for this invitation all of his young life. And then he rapturously declared “I’ll be your apprentice and you’ll be Mommy Master!”.  In some ways he already has been, having posed for a few of my fairy tale paintings and having witnessed me at work for as long as he can remember.

Connor posing for Goldilocks. Connor at age 4 watching his tired mom paint.

We moved his desk from downstairs to my hideaway on the second floor and around the corner. It’s official — he is now a resident artist! Since the move, something has happened to Connor. He is eagerly taking drawing lessons from me (having grasped the basics of perspective with amazing acuity) and is the quietest, most concentrated studio companion an artist can have. He has embraced the studio zone.

Connor was always happiest drawing

His material is taking on a new dimension, fostered by his newly found confidence and pride with a title like “studio artist”. His work is vastly different than my own, as he gravitates to robotic design and graphic narratives—filling page after page with storytelling panels complete with blurbs, onomatopoeias and dynamic visuals. His graphic novels are somewhat crude but full of action and moral-driving raconteur. No one taught him how to do this—he just does them.

a montage of some of Connor's creations (before drawing lessons)

Connor is intent on bringing a new level of technical facility to his work and wants to make his worlds appear more real and tangible as he sees them in his own mind. He has an insatiable desire to learn and get better. He has declared more than once that it is his dream to go to art school. Is it my dream for him? No, I was hoping he would pursue engineering or medicine or anything that I perceive might be the easier “conventional” path. But then again, what does that really mean? Nothing is easy if you don’t have your heart in it. I pursued the arts because I HAD to—and weathered all kinds of challenges to remain true to myself. I think Connor should to be true to himself too.

“Listening to your dreams can provide you with the motivation needed to open yourself up to new experiences. If you track your inner voice and follow your instincts, you can prevail against the inevitable challenges that will test your spirit.” ~ From The Fairy Tale Tarot companion book, Once Upon a Time.

And what has ensued? Connor is happier. Connor is more confident. A girl in his class told him “Connor, you’re really smart” (he was all smiles when I picked him up from school after that), and he has already become more focused on homework and intent on achieving those elusive straight As. He needed this boost and now he’s on a mission. Homework must be completed before he can indulge in his creative exploits and it DOES get done because he has an art goal. Though his expository writing assignments do carry over into studio time, there is no need to completely separate academics from play. Maybe he can learn to merge the two and excel at both (the way I did later on). A mom can be hopeful. For now, I will trust my heart and nurture the artist that is my son. Stay tuned!

~ Lisa

Shapeshifter paintings in progress

final drawing for Crow-Shapeshifter on watercolor board

As some of you may know, after 20 years of publishing intensity, I’ve taken a break from contracted assignments to work on my own material, unhindered by deadlines, dimensions, or other technical considerations. This doesn’t mean I’m abandoning my identity as an illustrator/writer — I still have plenty more to do/explore in print publishing. I simply needed to refresh myself and flex some creative muscle that has been lying languid since the completion of the monumental Fairy Tale Tarot project. It’s like taking a dive into the ocean after counting grains of sand by the shoreline. I needed to pull away from the details of my daily repertoire and just let loose. This also came about after befriending a bird enthusiast from Canada (who is about to have her first book published) and watching some PBS Art 21 episodes, where varied fine artists discussed their fascinating and individual journeys.

Sketches

With this break I’m flying free through the mountainous terrain of self discovery and am enjoying every minute of this much needed recess. I haven’t felt this unfettered since my early youthful days, when I freely dabbled in the surrealistic vicissitude of the imagination; when swooping brush strokes and splattered paint were par for the course. I want to paint big, bold and textural, and get really physical with the process.

Early exploratory work as a teenager (1984-5)

I had recently read “Pictures Telling Stories: The Art of Robert Ingpen” and inside was this passage:

“When asked about the difference between a painter and an illustrator he often observes that a painter stands to work and an illustrator always sits.”

I wanted to debunk this idea for myself! Why abandon a sense of illustrative narrative when standing? Why label myself and settle in a seat of expectation? I was determined to break my own convention: I stretched a whole sheet of paper on the one oversized  board that I’ve had in storage for years and set out to work.  And yes, moving the board around was no easy task — nor was it easy to paint a large scale watercolor. What I thought might be a brief interlude turned out to be an obsession!  The spirit of the paintings took over — not only consuming my psyche and soul but assuming my full attention in the studio, with creative chaos being a mess inducing bi-product. Oh, my normally orderly surroundings now took on a life of their own as the desire to paint supplanted the necessity to maintain order.

But this is good, isn’t it? Sometimes as artists, we need to shake things up, deconstruct and build anew. For me being an artist is more than just interpreting story or conveying expression, it’s about diving deeper past barriers and depths that we may have ignored for way too long. I suppose this is my way of dismantling potential artist’s block and it has worked to great effect!

Please feel free to visit my purchase page for more information, thanks!

Final Shapeshifter Paintings - click to visit Lisa's online store

~ Lisa

In honor of this anniversary I’m having another giveaway. Either leave a comment below or  Follow and “tweet” the following message on twitter.com: “Win a signed 2′x3′ poster of the ‘Queen of Swords’ for the Celtic Dragon Tarot’s 10th Anniv! Follow Lisa & RT. http://is.gd/4Lf4x” Entries will be tallied at the end of the month and the winner randomly drawn from them. Commenting here AND on twitter gives you 2 entries, but no further submissions will not be counted. I will gladly ship anywhere around the world.

Also this month, we’re having a sale on a limited edition Celtic Dragon Tarot Kit. Included is:

• a signed American release of this legendary  kit (deck & book)
• a signed, archival  print (choice of the Moon, King of Wands, the Hermit, the Magician & the Lovers)
• a unique dragon sketch by me, Lisa, done just for this special offer on an individual basis
• a Celtic Dragon greeting card

There are just 15 of these kits available and they’ll be at the low price of $60 (a $95 value) only until January 1st (S&H is FREE in the continental US). I’ll have a paypal link on the Purchase page of my website soon, or you can message/email me to reserve a copy.

CONTEST CLOSED-The winner will soon be announced. Thanks everyone for your participation!

I’m delighted to be the recipient of so many positive responses to my fairy tale deck. As you know, this project is joy to me. It’s a summation of my creative life in every way—writer, artist, dreamer, lover of fairy tales and all the stories (real life and fantasy) along the way. It’s who I am and it delights me to no end thinking that these stories and art are captivating to others. My deep heartfelt thank you to each and every one of you!

Some generous spirits have emerged with photos and blogs showcasing The Fairy Tale Tarot. Here’s a picture of The Fairy Tale Tarot laid out in an inventive spread. The photo was provided by Hearthcricket, omnipresent member of Aeclectic Tarot and now a blogger herself. Check out her blog: faerymusings.blogspot.com

Here’s Hearthcricket’s “Storybook Spread” that she has generously shared with me:
You read the cards in the same order as you would read words on the page of a book, top to bottom, and then flip up to the next page.  The idea is to get the cards to flow and unfold into one story, thus the querent’s reading!

1   2      5   6
3   4      7   8

1&2 read together as the past events, both physical and emotional.
3&4 read together as the querent and the present situation.
5&6 read together as the obstacles one must overcome and actions to be taken.
7&8 read together as the path one should consider and the final outcome.

And here’s a wonderful blog dedicated to The Fairy Tale Tarot and fairy tales in general, started by Ginger. Her insightful posts and thoughtful interludes demonstrate the richness of these tales and how they can mean so many things to different people. This is one reason why I love fairy tales so much—they’re endlessly fascinating, poignant and thought provoking. And Ginger’s site is full of fairy tale candor that simply whets one’s palate for more…

enchantedfairytales

And if you missed it, here’s a wonderful review posted at the American Tarot Association site:

Lisa Hunt Talks Tarot Art

In further news, though I may be a self-proclaimed studio hermit, I’m emerging out of my shell to give two live radio blog interviews in September. It has been years since I’ve spoken in public (partially because of the all-consuming nature of this project!).  I’m excited (and a little anxious) to discuss the inspiring and riveting nature of The Fairy Tale Tarot project… and whatever else the interviewers decide to throw my way during these “live” appearances. It should be great fun!

First up, the Dawn and Laura show (9/14/2009 11:00 AM ):

www.blogtalkradio.com

And in September, I will have the chance to interview with Misha:

www.themixtalk.com

I hope you’ll be able to tune into both shows!

And finally, Llewellyn is going to have a wonderful giveaway: signed uncut press sheets of the deck. Here’s a photo of these frameable and collectible sheets. They’re highly sought after because of their rarity. Even I am only in possession of one or two of these “hot-off-the-press galleries” showcasing The Fairy Tale Tarot cards on one large poster-like sheet.

Here’s how you can win one of these coveted “posters”:
Llewellyn is going to have 3 drawings for Tarot Update subscribers and 3 Facebook, 3 Twitter contests. Be on the lookout for future announcements on Twitter and Facebook (follow/friend me to get the latest). And stay tuned right here for further details!

~ Lisa

Princess and the Pea...enjoy basal pleasures that nurture the soul. (p.249)

As I emerge from 5 years of deep fairy tale interplay with paintbrush and prose, I’m realizing that life outside the studio can be just as creative as what goes on at the drawing table. At one time I wouldn’t have thought that everyday tasks could actually be microcosms of an internal story. But I’ve grown to think life is literary assemblage–with everything we do having the potential to serve as a plot device: facing challenges, problem solving, redemption, accomplishment and all the other human nigglings that encompass our daily existence. Maybe we don’t feel like we’re performing some stage-worthy monologue as we talk aloud while writing the grocery list or grumbling under the weight of bills yet paid, but we can learn to feel a certain amount of satisfaction and perhaps significance in the basic things we do.

I was particularly struck by this while (believe it or not) kneading dough for cinnamon buns. Anyone who makes baked goods from scratch will tell you how consuming and labor intensive it can be. One may either dismiss it as yet another chore or one can assume the attitude that there is something very gratifying about creating food with one’s bare hands. To see one’s dough rise, the patience, the anticipation, …you get my drift. I do think about the little tasks with more reverence now. Picking fruit from a tree has a lot of symbolic significance and represents the end of a cycle. Gathering flowers and foraging food appears in many a fairy tale. It’s a basic human inclination yet sometimes we forget that these seemingly simple activities have deep roots making for good, timeless plot devices.

The cinnamon rolls are made by rolling out the dough, covering it with filling (sugar, spice and everything nice) and rolling it up into a neat little blanket of deliciousness. Aren’t fairy tale tomes the same way? When opening up a collection of stories, you know it’s going to be filled with all manner of enticing tales. And when the cinnamon rolls are placed in oven, they expand and turn golden and become more voluminous forms of their basic ingredients. That is how I feel when I read a fairy tale book–the stories can be expansive and satisfying filling my being with essential nourishment that I can carry over into all areas of my life. I really believe fairy tales are all around us; the good, the bad, the beautiful and the ugly. If we can remember to see our own daily activities and events as snippets of wonderful story, then we can feel a deeper awareness of those things that compose who we are in our entirety. Our identity is not dependent on profound triumphs or abject failures, but it is all the little experiences along the way, no matter how small they may seem.

~Lisa

~ Imagine working on something with heart and soul for five years.

~ Imagine having faith in the process despite the realization that it would be years before seeing the fruits of one’s labors finally come together in (you pray!) a spectacular way.

~ And given the duration of such a creative endeavor, one must not focus on the monetary side of things, because in publishing, most of the time you work with very little funds and lots of hopeful speculation.

But it’s the passion for the subject matter and the love of the process that drives a project forward. To first set eyes on the finished product is like giving birth or having reached the zenith after a long climb populated by unknown challenges. The joy in accomplishment is like standing tall on top of the conquered mountain in awe of what seemed impossible (and there are quite a few fairy tales that help support these sentiments).

I still wonder how I did it because in the beginning I really looked up at that steep precipice skeptically — my only convincing motivator was the sheer desire to set upon the journey of what turned out to be an immensely invigorating experience. Where did all that ineffable energy and deep desire to write and paint come from? I don’t think I will ever be able to answer that question. But I can say that The Fairy Tale Tarot is a testament to unwavering artistic dedication, hard work and a strong belief in one’s vision. Somehow I resolutely reached the top of the mountain and now I’m breathing the sweet, joyous air of having done something deeply satisfying!

~Lisa

Celebrating!