Dynamic Dreamer ~ Art Weaver

The Mythic, Tarot & Fairy Tale musings of Lisa Hunt

Custom drawings are back!

| September 30, 2011

Here are the first four “spirit drawings” I’ve rendered for customers. I really enjoy receiving keywords such as “bird”, “bear”, “Shaman Spirit” and turning them into art. Like the custom soul drawings of last year, these are created with a spontaneous flourish—using the recipient’s words as my guide…

The Swan-Shapeshifter: from start to finish

| September 21, 2011

I always start with big bold watercolor washes, letting the paint flow as it will. It’s very much a “wait and see what happens” exercise and is the least premeditated part of the piece. I used several different blues, greens, and reds to achieve layers of rich hues. I purposely left some whites of the paper—it just felt right…

The influence of past surroundings and what I’m working on now.

| September 12, 2011

As many of you may know, I recently spent a few weeks up North visiting my childhood haunts in Connecticut. Fortunately I was able to capture some beautiful photos before Hurricane Irene descended on the woods and wreaked havoc in my old neighborhood. My poor parents lost a lot of trees, as to be expected in an area inhabited by so many of these formidable giants.

Daydreaming with Loon

| August 7, 2011

I was and still am a daydreamer. What does that oft misunderstood term mean to me? For me, it’s about letting my foot dangle in the cool waters of dream imagery–where the slightest, most unassuming thing can initiate a fit of daydreaming, active imagination, and fantasizing. Basically, when I’m not drawing, painting or writing, I’m thinking about drawing, painting and writing, at least on a subconscious level…

Heron-Shapeshifter: “How long does it take to paint a picture?”

| July 15, 2011

One of the most common questions I get as a professional watercolorist is: “How long does it take you to paint a picture?”. That’s a fair question though not an easy one to answer. It depends on a variety of factors including: subject matter, the amount of detail, how a painting flows along and even the level of distraction one may have to reconcile when one is working in one’s home. I can say this for sure: I’m a much more efficient and confident painter now than I was 20 years ago…

View from the Studio, birds in the backyard. The majestic beauty of the Great Blue Heron.

| July 1, 2011

I am very lucky to have a lake view from my studio window where I can watch birds frolic, fish and fly. Ducks, pelicans, cranes, egrets, grackles, chickadees, crows, mockingbirds, hawks, vultures, loons, cormorants and a host of other species provide me with a show of flapping wings and glorious calls…

Spring cleaning: From Hungry Ghosts to Hummingbirds

| April 19, 2011

That is how I would best describe things here in Hunt-Kramerland right now. As I proof my Ghosts manuscript and check all the art scans (special thanks to the ever-patient Paula and Lynn at USG), I’m looking ahead to my next project focusing on birds. But before taking the next project plunge…

Creativity, critters, chaos and the boogie woogie

| February 10, 2011

2011 is turning into the year of the unexpected. Instead of fearing the chaos of what seems like truncated routines, I’m learning how to accept the unexpected and to be flexible. Part of this has entailed taking on projects and creating images that I never thought I’d do: new subject matter, new methods, bold creative assertions and a sense of the spontaneous along the way.

Soul Drawings: The Mythic Art of Lisa Hunt

| November 12, 2010

What is Soul Drawing? Find out now! My new eBook has arrived on the virtual shelves of Barnes & Noble–with Amazon, and Apple soon to follow. This book is a collection of never-before-published drawings  lovingly created for individuals from all over the world. The drawings are accompanied by thoughtful commentary and lend insight into my [...]

Battlefield Ghosts: Documenting raw, unfiltered creative energy

| August 30, 2010

Here’s the second drawing in what is becoming a series of time-lapse photography experiments. Drawing Battlefield Ghosts was 25% preplanned, 75% spontaneous creative outpouring. As I worked on this drawing…