While working on this, I wrote down all kinds of words (as you can see on the paper hand rest in the video) that flooded my mind. Here is a list of the unedited stream of consciousness I jotted down between pencil strokes. These are unedited and reflect what I was feeling at the moment and not how I necessarily feel all of the time.

To be courageous in art, one should not censor the psyche

Don’t be afraid to expose the unseen

Art is part logic, part insanity

Some art requires courage to execute

Art reveals pain

Art speaks without verbalizing

Art is the unadorned soul

Art is menacing

Art reveals that which is not obvious

Art exposes the ineffable

It’s courageous to draw that which you fear

Art can be ugly

Art is 2% creativity, 98% intuitive impulse

Courage + Art= Penetrating

***
Thank you for watching.
~Lisa

I hope my demonstration helps to shed light on my process. These days, I do not over-plan an image. During my early years when I was an insecure artist just learning my craft I would plan out every facet and detail. But these days I know my voice and feel rather confident as a technician (though, one can never stop learning!). I draw from heart and soul and just let the art take over.  With that said, I do some anatomical studies (I am a self-proclaimed anatomy geek) and sometimes will draft a good drawing on tracing paper to trace down. But the majority of the art is done with a spontaneous vigor that allows sequences from within the depths of my psyche to help determine an image’s outcome. It is raw creativity that channels through my being without interference and it is the perfect method to employ while working on a project like Ghosts and Spirits Tarot! I’ve opened the chambers of my mind wide open and am enjoying meeting all the spirits milling about there.

~Lisa

Connor with his conceptual drawings

As the summer vacation winds down, so will Connor’s long drawing sessions in the studio. I don’t teach Connor how to draw–he just sits at his desk and lets bustling creative ideas flood onto paper. He is insatiable with paper and pencil. Once in a blue moon he’ll ask me a question such as “Mom, how do you draw a woman (cyborg influence, of course)?” or “Mom, how do you show a spaceship from the underside as it stretches into a blackhole?”. I don’t know how much help I can be aside from an impromptu perspective and/or anatomy lesson. But he does ask me my opinion with each passing drawing.

"Robot City Ship" (Don't mind the typos!)

Given that I don’t draw or even think like Connor, pretty much everything he sketches seems complicated to me. As an artist, I don’t tackle subject matter that entails the contemplation of blasters, the cockpit, the shields, the exhaust system etc….as much as I love sci-fi movies et al, I don’t draw with a mechanical perspicacity the way Connor does. It’s fun to see him flourish in ways that are alien to me, literally.

And what does Connor want to be when he grows up?

“I want to be a robotic engineer, a graphic novelist and be the next George Lucas”. I wonder if there is a way for him to bundle his interests up into one creative vocation. If anyone knows, please tell me how I can steer Connor in the right direction.  For now, all I can offer him is my enthusiasm and support, something that he offers me in return and together, the energy in the studio is off the charts.

Stay tuned! ~Lisa

Connor at his desk while his sister admires his work

Here I am with a foolish young heart (and thin figure!). This is 1995 while working on my first tarot deck: the Shapeshifter Tarot

This is the painting that determined my artistic path. The Sorceress was the sample I painted before landing my first tarot contract with Llewellyn Publications.

Here's a Shapeshifter portrait I did for 60's rock icon, Donovan. I flew to San Francisco and presented the framed painting to him in person at a 1997 Whole Life Expo (my apologies for the poor photo quality--I know I have more somewhere).

Here I am in 1998 at an Art Institute of Fort Lauderdale graduation. At the time I was working on Celtic Dragon Tarot, I was also earning a degree in Computer Animation (very new at the time). I face-mapped the Shapeshifter Tarot images on 3D runes and had them spin around in space. No one ever saw anything like that before and it earned me the top prize in my graduating class (and a subsequent job as a conceptual designer and later, college teacher).

Here's my studio. On the wall is a framed Celtic Dragon Tarot press sheet. As my biggest seller, it holds a place of honor in my workspace.

After Celtic Dragon Tarot, my book Celestial Goddesses was published. I met fabulous people along the way, including my dear friend Pam (professional singer/art educator extraordinaire). This was taken during the Spring of 2002.

I also met my future husband at the one and only Celestial Goddesses book signing. It was destiny!

During the past 15 years, I've nurtured an extraordinary friendship with the brilliant and soulful Kris Waldherr.

While I was earning my Masters Degree in Interdisplinary Studies, Animals Divine Tarot was published. It earned a COVR award the following year (2006).

After Animals Divine Tarot, there was Fantastical Creatures Tarot published by US Games. Here I am at a 2007 INATS East signing/reading. I was busy!

While working on tarot decks and books, I had kids! Here I am with my artistic son Connor in 2009.

Here's Kyra in the studio in (early 2009?). My kids love to draw too!

Here's a bookcover-in-progress I did last year.

I also had a 10 year stint as a Collectible Card Game artist, but after over 100 images I retired from the industry.

I also studied martial arts and earned my Black Belt in TKD as a means of getting healthy and feeling more balanced while in the studio. It's easy to neglect oneself when one is so consumed by one's artistic passions! (2008)

I loved writing this book!

Here's a framed press sheet of The Fairy Tale Tarot that hung at a local gallery in 2009.

Here I am at work in the studio. I use the TP for painting--just in case you were confused. (2010)

Here's what I'm working on now...

and here's what I'll be working on next.

It has been a wonderful journey so far. I can honestly say that I feel a deep sense of gratitude for my life. Yes, I did make things happen, but I also feel I’m a blessed person to be able to live my passion and know who I am. Who knows what will be? But for now, I’m perfectly content with the here and now. But sometimes it’s good to reflect back and take pause. I don’t take anything for granted!

~ Lisa

This drawing is for Rose Vanden Eynden, author extraordinaire

With that said, I must keep this short and sweet, my friends. Here are some images of the Ghosts & Spirits project in progress. And of course, I’ve included a few pictures created by my afternoon studio companions, Connor (9 years) & Kyra (5 years). Sorry, as amazing as Timmy-the-Cat is, he has yet to pick up a pencil. Instead, he has mastered the art of power napping.

"Black Dog" detail of pencil drawing in progress

Paintings in various stages of progress

Kyra loves to draw animals. There is so much joy in this piece!

New York in the future. Connor's drawings tend to have technical leanings.

And while we're working our tails off, whose been sleeping in Kyra's bed?

~ Lisa

ps. The Fantastical Creatures giveaway ends soon, see my previous blog entry for detail on how to enter!

I have grown accustomed to working alone in my studio (thus the name “Studio Hermit”), with only the company of NPR, music, and Timmy the cat aka “Studio Buddy” being the potential distractions to an otherwise intense environment. It never dawned on me to ask my 9 year-old artistically inclined son to join me in my sanctuary of creative outpourings.

After receiving a fateful call from Connor’s writing teacher, I began to see the light. Despite Connor’s history of scholastic underachievement, his writing teacher expressed interest in Connor’s creative aptitudes and offered him the chance to have his own writing corner in her classroom. In Connor’s own words, “My teacher told me that I have permission to draw on my narrative writing papers… I like making up my own stories!”. Having long since been designated a child with “attention issues”, this veteran teacher recognized that Connor thrives when given personal space. And from Connor’s point of view, he feels he’s finally being rewarded for being a storyteller—with most of his papers reflecting fantastical exploration, dark and light and human drama. Connor is not afraid to express himself as an artist/writer, and he actually impresses all those around him with his innate ability to retrieve dynamic visions from a world that only he understands. A place that has his full obeisance and where no “attention issues” persist.

I never dismissed or tried to suppress these inclinations (though I was worried about his tendency to either get As or Fs—depending on the day), but I never thought that art/writing may actually be his calling. I know, this warrants a big “duh” from my audience given his genetic predisposition, but having experienced firsthand the stigmas and challenges associated with being an artist, I was somewhat loathe to promote his gifts. I of all people should know that if you are born an artist and/or writer, you are an artist and/or writer—and there really is no stopping the impulse for creative expression.

I have to admit, Connor reminds me so much of myself in so many ways. No one could stop me either.

Ace of Wands: The Fairy Tale Tarot

So I asked him: “Would you like to move your desk into Mommy’s studio?”. Connor must have done double flips—it was as if he had been waiting for this invitation all of his young life. And then he rapturously declared “I’ll be your apprentice and you’ll be Mommy Master!”.  In some ways he already has been, having posed for a few of my fairy tale paintings and having witnessed me at work for as long as he can remember.

Connor posing for Goldilocks. Connor at age 4 watching his tired mom paint.

We moved his desk from downstairs to my hideaway on the second floor and around the corner. It’s official — he is now a resident artist! Since the move, something has happened to Connor. He is eagerly taking drawing lessons from me (having grasped the basics of perspective with amazing acuity) and is the quietest, most concentrated studio companion an artist can have. He has embraced the studio zone.

Connor was always happiest drawing

His material is taking on a new dimension, fostered by his newly found confidence and pride with a title like “studio artist”. His work is vastly different than my own, as he gravitates to robotic design and graphic narratives—filling page after page with storytelling panels complete with blurbs, onomatopoeias and dynamic visuals. His graphic novels are somewhat crude but full of action and moral-driving raconteur. No one taught him how to do this—he just does them.

a montage of some of Connor's creations (before drawing lessons)

Connor is intent on bringing a new level of technical facility to his work and wants to make his worlds appear more real and tangible as he sees them in his own mind. He has an insatiable desire to learn and get better. He has declared more than once that it is his dream to go to art school. Is it my dream for him? No, I was hoping he would pursue engineering or medicine or anything that I perceive might be the easier “conventional” path. But then again, what does that really mean? Nothing is easy if you don’t have your heart in it. I pursued the arts because I HAD to—and weathered all kinds of challenges to remain true to myself. I think Connor should to be true to himself too.

“Listening to your dreams can provide you with the motivation needed to open yourself up to new experiences. If you track your inner voice and follow your instincts, you can prevail against the inevitable challenges that will test your spirit.” ~ From The Fairy Tale Tarot companion book, Once Upon a Time.

And what has ensued? Connor is happier. Connor is more confident. A girl in his class told him “Connor, you’re really smart” (he was all smiles when I picked him up from school after that), and he has already become more focused on homework and intent on achieving those elusive straight As. He needed this boost and now he’s on a mission. Homework must be completed before he can indulge in his creative exploits and it DOES get done because he has an art goal. Though his expository writing assignments do carry over into studio time, there is no need to completely separate academics from play. Maybe he can learn to merge the two and excel at both (the way I did later on). A mom can be hopeful. For now, I will trust my heart and nurture the artist that is my son. Stay tuned!

~ Lisa

It’s hard to believe that 2010 is here and my 43rd birthday is fast approaching. Yes, I too ask myself the perennial cliché question: where did the time go? If it wasn’t for my art, I’m quite sure I would have a hard time determining how I’ve spent the last year (or my life, for that matter). My paintings have always been my personal timeline—they document my own journey in a way that reflects my thoughts, feelings, observations, cognitive and soulful responses and evolution as an individual. I have been working professionally for over 20 years and have proudly amassed a nice collection of published works, with most efforts still being viable and “in print”. But I’ve also hit that midway point—wondering where my art is going to take me from here…

After finishing The Fairy Tale Tarot (read archives) and engaging in subsequent publicity efforts, I must admit that I felt depleted.  It was a long term project that had become part of my daily life (and it still is in some ways). I needed to move forward, but a stubborn wall of artistic fatigue stood in my way. I did work on 2 pivotal fine arts pieces that most certainly hinted at things to come. But after I finished, I was artistically dehydrated. I felt I needed to connect with something outside myself, but wasn’t sure what it was.

So at the spur of the moment, I decided to offer custom drawings through my LisaHuntArt purchase page. There have been many people who expressed interest in owning one of my originals, but felt purchases during a protracted recession was not feasible. And truthfully, I can totally understand this. My immediate solution was to offer unique drawings made to order at an affordable price. This gave my audience the power to determine the imagery and thus be part of the process, despite limited resources. Many of my friends and family questioned my offering—feeling as though I was undercharging people for time spent creating unique drawings for them. But my answer is a simple one. In the process of “undercharging” I was recharging. Not only have these drawings been greatly appreciated by the customer, but they have helped to nourish my artistic soul. And as a result, my palette has been refreshed with new piles of watercolor paint. By giving a little bit of myself to others, I in turn have received.  And creating and sharing has been a joyful experience! It’s one thing to be published and to have ones work distributed en masse, it’s quite another to know that one’s originals are out in the big world being loved and appreciated by those very people who may have purchased the publication. I now understand what it means to be a fine artist and to have originals pass from the creator’s hand to that of someone who loves the creation.

Here are some of the custom drawings I have done for people in the last 6 weeks.

I’m proud of this collection and am over the moon by all the positive responses that the recipients have expressed. There has been great feeling and meaning invested in these works. And in turn, my enthusiasm for painting has been renewed! I was practically explosive with creative energy as I tackled my first painting of 2010, The Bear-Spirit—all that pent up energy released onto the paper with glorious satiation. Thank you everyone! Thank you for helping me to feel the powerful allure of artistic expression. And if you too would like to order a drawing and be part of this growing gallery of these self-determined unique visions—check out my purchase page and let me know what you would like me to draw for YOU.

~Lisa

Shapeshifter paintings in progress

final drawing for Crow-Shapeshifter on watercolor board

As some of you may know, after 20 years of publishing intensity, I’ve taken a break from contracted assignments to work on my own material, unhindered by deadlines, dimensions, or other technical considerations. This doesn’t mean I’m abandoning my identity as an illustrator/writer — I still have plenty more to do/explore in print publishing. I simply needed to refresh myself and flex some creative muscle that has been lying languid since the completion of the monumental Fairy Tale Tarot project. It’s like taking a dive into the ocean after counting grains of sand by the shoreline. I needed to pull away from the details of my daily repertoire and just let loose. This also came about after befriending a bird enthusiast from Canada (who is about to have her first book published) and watching some PBS Art 21 episodes, where varied fine artists discussed their fascinating and individual journeys.

Sketches

With this break I’m flying free through the mountainous terrain of self discovery and am enjoying every minute of this much needed recess. I haven’t felt this unfettered since my early youthful days, when I freely dabbled in the surrealistic vicissitude of the imagination; when swooping brush strokes and splattered paint were par for the course. I want to paint big, bold and textural, and get really physical with the process.

Early exploratory work as a teenager (1984-5)

I had recently read “Pictures Telling Stories: The Art of Robert Ingpen” and inside was this passage:

“When asked about the difference between a painter and an illustrator he often observes that a painter stands to work and an illustrator always sits.”

I wanted to debunk this idea for myself! Why abandon a sense of illustrative narrative when standing? Why label myself and settle in a seat of expectation? I was determined to break my own convention: I stretched a whole sheet of paper on the one oversized  board that I’ve had in storage for years and set out to work.  And yes, moving the board around was no easy task — nor was it easy to paint a large scale watercolor. What I thought might be a brief interlude turned out to be an obsession!  The spirit of the paintings took over — not only consuming my psyche and soul but assuming my full attention in the studio, with creative chaos being a mess inducing bi-product. Oh, my normally orderly surroundings now took on a life of their own as the desire to paint supplanted the necessity to maintain order.

But this is good, isn’t it? Sometimes as artists, we need to shake things up, deconstruct and build anew. For me being an artist is more than just interpreting story or conveying expression, it’s about diving deeper past barriers and depths that we may have ignored for way too long. I suppose this is my way of dismantling potential artist’s block and it has worked to great effect!

Please feel free to visit my purchase page for more information, thanks!

Final Shapeshifter Paintings - click to visit Lisa's online store

~ Lisa

The Fairy Tale exhibit opens Friday, October 23 at the Kris Waldherr Art and Words Gallery in Ditmas Park, Brooklyn. Lisa is one of the artists with work in the exhibit. Visit this link for more details:

http://www.kriswaldherr.com/press/ftpress.html

First up: It is an honor and a privilege to be part of an extraordinary gallery event focusing on the theme of Fairy Tales!

FAIRY TALES: FROM DARK WOOD TO HAPPILY EVER AFTER
featuring the art of
Leela Corman, Mary Louise Geering, Lisa Hunt, Amy Saidens, Carisa Swenson, Kris Waldherr, Karen Zuegner and Kristina Carroll.

I am so honored to be sharing artshow space with these immensely talented artists, each bringing a vision of Fairy Tale land that is uniquely their own. I will be having original watercolor paintings from the recently published The Fairy Tale Tarot (Llewellyn Publications) as well as pencil drawings from the book and limited edition prints showcased in this splendid collection of outstanding fairy tale works. This is a rare opportunity to see my original art and the work of others on display for viewing and purchasing. I have to tell you, I LOVE this gallery. It’s a treasure filled with books, art and endless inspiration. I was so lucky to have been able to spend some time in this beautiful sanctuary with my close friend and owner, Kris Waldherr. It felt so comfortable and lovely and was filled with this ineffable artistic energy that really induced feelings of creative satiation.

If you’re in the NYC area, please stop in for a reception and viewing*~* opening October 23, 2009 – opening reception 7 – 10pm ~*~Come meet some of the artists and have the opportunity to meet the proprietor of the finest gallery in Victorian Brooklyn, Kris Waldherr.

Located in Victorian Brooklyn, Kris Waldherr Art and Words is Kris Waldherr’s working studio during the week and a gallery on the weekend. Not only is her gallery a stunning place filled with art, it is operated by the internationally famous artist and author of The Goddess Tarot, Doomed Queens and many other beloved publications.

All events are held at:
KRIS WALDHERR ART AND WORDS
1501 Newkirk Avenue
(entrance on Marlborough Road, around the corner from subway station)
Brooklyn, NY 11226
347-406-5811
subway: Q or B train to Newkirk Avenue
street parking is available

Next up:

The Art Institute of Fort Lauderdale‘s AiFL Alumni Art Show will be held on Monday, November 2, 2009 until November 30, 2009 at the Mark K Wheeler Gallery, The Art Institute of Fort Lauderdale.

During the 1990′s, I attended the Art Institute of Fort Lauderdale as a Computer Animation student. And though my specialty was not focused on computer arts (though I was expected to learn and understand 2D and 3D programs), I learned to conceptualize and integrate my traditional artwork within an innovative production environment that enabled me to hone my skills and become a more efficient thinker, painter and project visualizer. Subsequent to graduation, I worked a few years in production houses as a conceptual designer and taught various art classes at my Alma Mater before turning to full time freelance studio work as a writer/artist. But my years as a student and teacher are memorable ones. Not only did I blossom as an artist and person during my time at AiFL, I met my husband, the fabulous photographer and graphic designer Kort Kramer and forged some lovely friendships that helped to inspire and nurture me as I continued on my artistic journey. It’s always a wonderful experience to return to my roots and have the opportunity to display work at the very institution that gave me my wings and showed me the way to endless creative possibilities.

Located at:
17th Street
Fort Lauderdale, FL

For further information call: 954-308-2109
or e-mail: awites@aii.edu