Ghosts & Spirits Tarot manuscript

Ghosts & Spirits Tarot image gallery

I just finished the manuscript along with a gallery of images. I have about 25 paintings left to do, having relegated some of the most challenging pieces until the time felt right. I honestly believe you cannot force art, it must surface when it’s ready. This is how I’ve executed this body of work. The ghosts and spirits summon me to paint when they are good and ready to manifest onto the paper.

Here’s an example of a piece that took on a life of its own. The colors, the roots, the details were primarily improvised as I went. During these more spontaneous sessions, hidden creatures make themselves known by peeping through bark, trees, rocks, skies and wherever they choose to appear.

King of Pentacles - Ankou (finished painting)

Another milestone has been the completion of 46 custom soul drawing orders. I began offering them during the 2009 holiday season, and they took off from there. I didn’t expect such an outpouring of enthusiasm (and orders!). I finally had to shut down the custom drawing shop for the summer so that I could focus on completing Ghosts & Spirits Tarot. I loved creating these works and the recipients of the drawings were gracious, grateful and downright sweet. I felt I formed an actual bond with many of my custom drawing customers (many who are now friends on facebook and people I have frequent exchanges with) — as they were extensions of the soul based on keywords that they provided for me. These drawings helped me to grow as an artist in many unexpected ways and helped me connect with those who appreciate my work. Symbiosis at its best!

Thank you to everyone who ordered a drawing from me. I plan to reopen the shop for pre-holiday orders in October.

Other things coming up:
- Late summer Newsletter containing special offers and a giveaway
- Revamped website store
- Possible Etsy shop
- And a Ghosts & Spirits Tarot website!

Oh, and for those of you who have been wondering, the piano playing is going great. I’m working on Meditation for Thais by Massenet. I’ve learned the piece, now to fine tune and bring it to mellifluous perfection. I may post a video on youtube of my playing when I feel ready to “perform”.

Lisa practicing Massenet, Meditation from Thais

I hope everyone is having a fabulous summer!

~ Lisa

The end of winter is not too far away and Lisa is celebrating the coming of spring with another spectacular giveaway. Until April 15th, you can enter to win a FREE signed copy of the Premier Edition of the beautifully illustrated Fantastical Creatures Tarot. There are three ways to win – you can follow and re-tweet LisaHuntArt on Twitter — “RT and follow @LisaHuntArt to win a signed copy of the Fantastical Creatures Tarot http://bit.ly/x6jCj”, mention and link to this blog entry on Facebook, and/or purchase something from the Lisa Hunt Art website.

Each method counts as a separate entry. The winner will be randomly chosen from the entries. Thank you for your participation and good luck!

~ Lisa

Shapeshifter paintings in progress

final drawing for Crow-Shapeshifter on watercolor board

As some of you may know, after 20 years of publishing intensity, I’ve taken a break from contracted assignments to work on my own material, unhindered by deadlines, dimensions, or other technical considerations. This doesn’t mean I’m abandoning my identity as an illustrator/writer — I still have plenty more to do/explore in print publishing. I simply needed to refresh myself and flex some creative muscle that has been lying languid since the completion of the monumental Fairy Tale Tarot project. It’s like taking a dive into the ocean after counting grains of sand by the shoreline. I needed to pull away from the details of my daily repertoire and just let loose. This also came about after befriending a bird enthusiast from Canada (who is about to have her first book published) and watching some PBS Art 21 episodes, where varied fine artists discussed their fascinating and individual journeys.

Sketches

With this break I’m flying free through the mountainous terrain of self discovery and am enjoying every minute of this much needed recess. I haven’t felt this unfettered since my early youthful days, when I freely dabbled in the surrealistic vicissitude of the imagination; when swooping brush strokes and splattered paint were par for the course. I want to paint big, bold and textural, and get really physical with the process.

Early exploratory work as a teenager (1984-5)

I had recently read “Pictures Telling Stories: The Art of Robert Ingpen” and inside was this passage:

“When asked about the difference between a painter and an illustrator he often observes that a painter stands to work and an illustrator always sits.”

I wanted to debunk this idea for myself! Why abandon a sense of illustrative narrative when standing? Why label myself and settle in a seat of expectation? I was determined to break my own convention: I stretched a whole sheet of paper on the one oversized  board that I’ve had in storage for years and set out to work.  And yes, moving the board around was no easy task — nor was it easy to paint a large scale watercolor. What I thought might be a brief interlude turned out to be an obsession!  The spirit of the paintings took over — not only consuming my psyche and soul but assuming my full attention in the studio, with creative chaos being a mess inducing bi-product. Oh, my normally orderly surroundings now took on a life of their own as the desire to paint supplanted the necessity to maintain order.

But this is good, isn’t it? Sometimes as artists, we need to shake things up, deconstruct and build anew. For me being an artist is more than just interpreting story or conveying expression, it’s about diving deeper past barriers and depths that we may have ignored for way too long. I suppose this is my way of dismantling potential artist’s block and it has worked to great effect!

Please feel free to visit my purchase page for more information, thanks!

Final Shapeshifter Paintings - click to visit Lisa's online store

~ Lisa

Final watercolor painting: Cap o' Rushes

It has been a while since I’ve written a life-as-an-artist post. The past few months have been a flurry of The Fairy Tale Tarot promotion (something that has been a fun experience!), getting kids ready for another school year, tying up long neglected loose ends including painting bookshelves, purging clutter and prepping seedlings for the autumnal garden season.

Now that fall is officially underway, I’ve thrown myself back into my studio cave for another intense round of deadline-driven painting. The next several months will be full of creative bustle. I’ve also been preparing artwork and prints for two upcoming art shows (more info next post).

I seem to juxtapose intense painting sessions with recuperative respites. I know it’s  probably more ideal to maintain a steady pace throughout the year, but somehow, those pockets of mental rest prepare me for the next round of explosive creativity. I seem to build up the need to do art before unlocking the dam of ideas, mixing paint while settling myself within the realm of my own alternate universe. During these active work cycles, it’s very hard to pull away from my studio. Thus, I have a conspicuous clock on the wall across from my drafting table. Otherwise, sacred art time would render linear time irrelevant. After all I do need to feed the cat and pick up the kids from school.

Initial rough sketch in journal with notes

Right now, I feel very Ace of Swords. My mind has affixed itself on the necessity to paint. I have a clear vision of what I will be doing for the duration of fall and winter. Yes there will be those inevitable life going ons that gingerly make their way into one’s daily sphere, but I know when I sit down to paint–there will be little pause.

In the Fairy Tale Tarot, Ace of Swords is represented by Cap o’ Rushes. I’ve always loved this story and really connect with the unrealized heroine in the painting. I love the fact that she’s able to adapt (literally, using rushes to weave a garment)  and focus on what she needs to do to prevail under challenging circumstances. In my case, it’s the reality of a busy season ahead. Instead of feeling overwhelmed, I am viewing it as the beginning of renewed challenges full of creative opportunities and exciting studio sessions.

Pencil drawing of Cap 'o Rushes

The work I am exploring is daring–and reflects a maturity that is starting to penetrate how I see the world. I truly believe working on The Fairy Tale started something–and has made me believe that exploring the depths of our being, shadowy chasms and all is not a detriment but rather an opportunity to become more whole, more expansive and simply more aware of who we are and what our unique place on the world stage might be. The work I’ve been doing in the past few years reflects this growth and the realization that there is no such thing as “arriving” as an artist. It truly is all about the creative journey. And with that, farther and with a bolder brush I go!

And just in case I start feeling irretrievably lost  during the painting process, there’s always Timmy “studio buddy” there to help keep it real!

~Lisa

Llewellyn is generously giving away 9 uncut press sheets suitable for framing. Having personally signed these beauties, I can attest to the outstanding reproductive quality of these unique “galleries” showcasing The Fairy Tale Tarot artwork. I am happily the owner of one of these sheets and recently had it framed to hang in my home. What can I say? They’re really cool and collectible!

Here’s a link to the contest. Good luck everyone!
~Lisa

Win Your Own Little Piece of Happily Ever After

~ Imagine working on something with heart and soul for five years.

~ Imagine having faith in the process despite the realization that it would be years before seeing the fruits of one’s labors finally come together in (you pray!) a spectacular way.

~ And given the duration of such a creative endeavor, one must not focus on the monetary side of things, because in publishing, most of the time you work with very little funds and lots of hopeful speculation.

But it’s the passion for the subject matter and the love of the process that drives a project forward. To first set eyes on the finished product is like giving birth or having reached the zenith after a long climb populated by unknown challenges. The joy in accomplishment is like standing tall on top of the conquered mountain in awe of what seemed impossible (and there are quite a few fairy tales that help support these sentiments).

I still wonder how I did it because in the beginning I really looked up at that steep precipice skeptically — my only convincing motivator was the sheer desire to set upon the journey of what turned out to be an immensely invigorating experience. Where did all that ineffable energy and deep desire to write and paint come from? I don’t think I will ever be able to answer that question. But I can say that The Fairy Tale Tarot is a testament to unwavering artistic dedication, hard work and a strong belief in one’s vision. Somehow I resolutely reached the top of the mountain and now I’m breathing the sweet, joyous air of having done something deeply satisfying!

~Lisa

Celebrating!