lisahuntart | February 3, 2012
Whenever I tell my friends that it’s Hermit-time, they know I’ll be largely unplugged and holed-up in my studio. If any of you follow my posts on Facebook and Twitter, you can almost identify these creative intermezzos by my virtual absences…
lisahuntart | January 20, 2012
January is turning into a studio hermit month as drawing and painting have slowly supplanted the hullaballoo of the holidays. Swallow-Shapeshifter had been on the board for a while due to other pressing commitments. But the “break” allowed its after-image-glow to seer into the depths of consciousness and materialize into a more thoughtful, well-executed image…
lisahuntart | January 5, 2012
The transition from 2011 to 2012 was a mix of excitement and tumult. We finally finished our kitchen, with a mere few days to spare before visitors descended on Chez Hunt-Kramerville. During that period of “out with the old/in with the new”–my press sheets for Ghosts & Spirits Tarot finally arrived…
lisahuntart | November 18, 2011
Artist and model Tamara Newman sent me a beautiful photo of herself to use as inspiration for a bird shapeshifter piece. I immediately knew I had to draw her. I loved how she pulled up her hair and looked to the sky as if she was about to open her wings and fly into the heavens of endless possibilities…
lisahuntart | November 4, 2011
I’m not a big fan of using photographic reference. For me, I feel it tends to impede my creative flow. But sometimes a photograph will provide the artist with a peek at the world from a new point of view. When I rely too much on my own mental resources without refreshing the internal well, there is a potential for stagnation and redundancy…
lisahuntart | October 28, 2011
When the fed ex guy dropped off a fat box from my art director at U.S. Games, my happy dance alarm threw me into a whirl as I quickly tore into its contents. Out came the final Ghosts & Spirits Tarot manuscript, card back designs, card art and the long-awaited cover designs. It is hard to describe how one feels when one first lays eyes on pieces of production, but it is similar to seeing one’s artwork or earned award newly framed and hanging on the wall…
lisahuntart | October 7, 2011
I had no idea where I was going to take Loon-Shapeshifter. It was a piece that evolved through feelings, nostalgia and from a place where simplicity was beautiful and complex. Loon-Shapeshifter was not the subject of this painting, but part of a wider story where trees, water and sky all merge together seamless harmony. Loon quietly skims the soothing cool waters, reflecting the monochromatic landscape–neutral, peaceful and deeply connected to the universe…
lisahuntart | September 21, 2011
I always start with big bold watercolor washes, letting the paint flow as it will. It’s very much a “wait and see what happens” exercise and is the least premeditated part of the piece. I used several different blues, greens, and reds to achieve layers of rich hues. I purposely left some whites of the paper—it just felt right…
lisahuntart | September 12, 2011
As many of you may know, I recently spent a few weeks up North visiting my childhood haunts in Connecticut. Fortunately I was able to capture some beautiful photos before Hurricane Irene descended on the woods and wreaked havoc in my old neighborhood. My poor parents lost a lot of trees, as to be expected in an area inhabited by so many of these formidable giants.
lisahuntart | July 15, 2011
One of the most common questions I get as a professional watercolorist is: “How long does it take you to paint a picture?”. That’s a fair question though not an easy one to answer. It depends on a variety of factors including: subject matter, the amount of detail, how a painting flows along and even the level of distraction one may have to reconcile when one is working in one’s home. I can say this for sure: I’m a much more efficient and confident painter now than I was 20 years ago…
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